CREDITS

TBA TBA TBA

Performance with Pierre-Laurent Aimard and young dancers from the Folkwang Tanzstudio (Photo: Ursula Kaufmann/Stiftung Klavier-Festival Ruhr)


Please click on the following links to call up the credits for the different sections of this website



Credits for "Béla Bartók: Piano works"


The website “Béla Bartók: Piano works” is a project of Stiftung Klavier-Festival Ruhr

Director and Intendant: Katrin Zagrosek (from 2024), Prof. Franz Xaver Ohnesorg (until 2023)


Supporters and partners

Paul Sacher Foundation Basel, Bartók Archives of the Hungarian Academy of Science Budapest (Institute for Musicology of the Research Centre for the Humanities), publisher G. Henle, Editio Musica Budapest, Stiftung Mercator and Deutsche Bank Stiftung


Artistic content, concept and development

Artistic content: Sir András Schiff

Creative director (concept development and research): Prof. Dr. Tobias Bleek

Programming and design: Victor Craven (victorcraven.com)


Videos

Director and editor: Michael Ciniselli

(Director for video footage of 2020: Enrique Sánchez Lansch)

Camera: Michael Ciniselli, Niklas Bott

Sound recordings and processing: Christoph Claßen (2020), Ines Kammann (2017)

Editorial preparation: Tobias Bleek, Michael Ciniselli

All film recordings with Sir András Schiff were made exclusively for this website in 2017 and 2020.


Text

Tobias Bleek


English translations

Cordelia von Dombois, Richard McNicol, Anne Boden and Klara Bernat


Score

Permission to use the scores of the piano collection For Children was kindly granted by the publishers G. Henle and Editio Musica Budapest.

Scores for II. Burlesque & and "The Night’s Music" have been newly set for this website by Meritxell Canela.


Historical sound recordings

Béla Bartók plays For Children. Recording of a radio concert in early January 1945 (New Jersey "Kossuth" Radio).

Béla Bartók plays the II. Burlesque. Recording from November 10, 1929.

The folk song recordings made by Bartók used on this website are taken from the online publication: "Béla Bartók: Complete Collection of Hungarian Folk Songs" of the Hungarian Academy of Science (Institute for Musicology). Link: http://db.zti.hu/nza/br_en.asp


Photographs and images

Photographers: All photographs were taken by Ursula Kaufmann unless otherwise credited under the photograph on the webpage.

Institutes: Bartók Archives of the Hungarian Academy of Science Budapest and Paul Sacher Foundation Basel (Collection Béla Bartók).

We have endeavoured to find the owners of all rights. In case of omission please contact Klavier-Festival Ruhr (education[at]klavierfestival.de)


Credits title images

First page Inside the score:

  • For Children No. 35: Béla Bartók transcribing phonographically recorded folk songs in the 1930s
  • II. Burlesque: Title page of the first edition of the 3 Burlesques, op. 8c (excerpt), Rózsavölgyi és Társa, Budapest 1912 (3437)
  • The Night’s Music: Bartók, the passionate insect collector. Watercolor by his cousin Ervin Voit
  • For Children No. 25: autograph fair copy (Paul Sacher Foundation)
  • For Children No. 31: Bartók at the piano, London, January 1936

First page Education Projects:

  • All photographs by Ursula Kaufmann

All other index images appear in the title bar on the following subpage and are listed there.


Editing and Assistance

Maroussia Aurich-Fromonteil, Cordelia von Dombois, Hannah Schütz, Tom Verbeke (advice and editing), Meritxell Canela (transcription and editing of scores)


Other credits and thanks

We thank the following individuals and institutions for their support:

Dr. Felix Meyer and colleagues of the Paul Sacher Foundation Basel

Dr. László Vikárius, Dr. Márton Kerékfy and colleagues of the Bartók Archives Budapest (Institute for Musicology of the Research Center for the Humanities, Hungarian Academy of Science)

Dr. Wolf-Dieter Seiffert, Dr. Norbert Gertsch, Anne-Beatrix Bauknecht and colleagues of the publisher G. Henle

László Sigrai and colleagues of the Editio Musica Budapest

Elke Gasparaitis, Birgit Glasow, Michael Mans, Matthias Steinhauer and colleagues of the Klavier-Festival Ruhr

Jutta Schmoll-Barthel for providing image material from: András Schiff: "Musik kommt aus der Stille". Conversations with Martin Meyer. Essays, Bärenreiter/Henschel 2017.


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Credits for "György Ligeti: Piano Works"


The Ligeti website is a project of the Stiftung Klavier-Festival Ruhr.

Director and Intendant: Katrin Zagrosek (from 2024), Prof. Franz Xaver Ohnesorg (until 2023)


Supporters and partners

Vincent Meyer/Fondation Meyer, Ernst von Siemens Music Foundation, Pro Musica Viva Maria Strecker-Daelen Foundation, Paul Sacher Foundation, Schott Music, Aldeburgh Music


Concept and development

Pianist and artistic director: Pierre-Laurent Aimard

Creative director (concept development and research): Tobias Bleek

Programming and design: Victor Craven (victorcraven.com)


Videos

Director and editor: Michael Ciniselli

Camera: Henning Brümmer, Volker Striemer

Camera assistant: Alexey Sedorov

Sound recordings and processing: Christoph Claßen, Robin Bös

Editorial preparation: Tobias Bleek, Michael Ciniselli, Meritxell Canela


All film recording with Pierre-Laurent Aimard was made exclusively for this website through the generous support of Vincent Meyer.


Text

Tobias Bleek


English translations

J. Bradford Robinson (Inside the score section)

Anne Boden, Richard McNicol


Score

Permission to use the scores of György Ligeti’s music was kindly granted by the publisher Schott Music.


Photographs and images

Photographers: Peter Andersen, Markus Bollen, Ursula Kaufmann, Jürgen Röhrscheid, Margit Tabel-Gerster,Mark Wohlrab, and other photographers (credited on the website).

Acknowledgements appear with the photographs and images where practicable.

We wish to thank the Paul Sacher Foundation, Schott Music and The M.C. Escher Company – the Netherlands for kindly granting permission to use selected sources from their collections.

We have endeavoured to find the owners of all rights. In case of omission please contact Klavier-Festival Ruhr (education[at]klavierfestival.de)


Credits title images "Inside the score"

The following images are used in the section "Inside the score" to introduce the different pieces:

  • Étude 2: Facsimile print of the autograph fair copy of Cordes à vide (Schott Music)
  • Étude 8: (photo: Simha Arom)
  • Étude 12: (photo: Mark Wohlrab)
  • Étude 13: M.C. Escher’s “Ascending and Descending” © 2020 The M.C. Escher Company - the Netherlands. All rights reserved. Used by permission. www.mcescher.com
  • Musica ricercata No. 1: (photo: Mark Wohlrab)
  • Musica ricercata No. 3: György Ligeti: Die Bevölkerung in den Wolken (Schott Music/Paul Sacher Foundation) 
  • Musica ricercata No. 5: Mourning rituals in Georgia
  • Musica ricercata No. 7: Autographe fair copy (Paul Sacher Foundation)

Editing and Assistance

Maroussia Aurich-Fromonteil, Claudia Eckes-Kohlrautz, Hannah Schütz, Tom Verbeke (advice and editing), Meritxell Canela (transcription and editing of scores), Annika Storck (editing), Klara Bernat (translations from Hungarian), Ute Luislampe


Other credits and thanks

We thank the following artists and experts for their collaboration:

Eckart Altenmüller, Simha Arom, Daniele Ciampolini, Saschko Gawriloff, Marie-Luise Neunecker, Heinz-Otto Peitgen


We thank the following for their support:

Heidy Zimmermann, Evelyn Diendorf and other colleagues at the Paul Sacher Foundation Basel

Bernhard Pfau, Christian Krautscheid, Claus-Dieter Ludwig, Christopher Peter and other colleagues at Schott Music

Reinhard Meyer-Kalkus, Katharina Wiedemann and other colleagues at the Wissenschaftskollegs zu Berlin

Tobias Lehmann, Martin Sauer, Julian Schwenkner and other colleagues at Teldex Studio

Vera und Lukas Ligeti

Elke Gasparaitis, Birgit Glasow, Kathrin Hermes, Bettina Jaggi, Michael Mans, Matthias Steinhauer and other colleagues at the Klavier-Festival Ruhr

Lucy Maxwell-Stewart (Red House Productions)

Sophia Karwoski and Jessica Lustig (21C Media Group)

Lydia Connolly, Tracy Lees (HarrisonParrott)

Dan Whitfield, Bill Lloyd and other colleagues at Aldeburgh Music


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Credits for “Pierre Boulez: Douze Notations


The “Pierre Boulez: Douze Notations” website is a project of the Stiftung Klavier-Festival Ruhr.

Director and Intendant: Katrin Zagrosek (from 2024), Prof. Franz Xaver Ohnesorg (until 2023)


Supporters and partners

Paul Sacher Stiftung Basel, Universal Edition Wien, Ernst von Siemens Musikstiftung (Education Projects)


Artistic content, concept and development

Artistic content: Tamara Stefanovich, Pierre Boulez

Creative director (concept development and research): Prof. Dr. Tobias Bleek

Programming and design: Victor Craven (victorcraven.com)


Videos

Director and editor: Michael Ciniselli

Camera: Carsten Gierke

The Notations video interview with Pierre Boulez was conducted on 6 May 2012 by Tamara Stefanovich and Tobias Bleek in Baden-Baden. (Camera: Wolfgang Kropp).

Sound Engineer for the Notations recordings: Christoph Frommen

Editorial preparation: Tobias Bleek, Michael Ciniselli, Christine Lauter


Text

Tobias Bleek


Score

Permission to use the score of Pierre Boulez’s Douze Notations was kindly granted by the publisher Universal Edition.


Photographs and illustration

Photographers: Ursula Kaufmann, Mark Wohlrab, Georg Anderhub (LUCERNE FESTIVAL), Eric Marinitsch and Alfred Schlee (Universal Edition) and other photographers that are directly mentioned on the website.

Institutes: Paul Sacher Foundation Basel; Universal Edition Vienna

All images with the exception of the index images are shown directly on the respective subpage.

We have endeavoured to find the owners of all rights. In case of omission please contact Klavier-Festival Ruhr (education[at]klavierfestival.de).


Index page images

“Inside the score” home page:

Excerpts from a copy of the Douze Notations made by Pierre Boulez in 1985 (Paul Sacher Foundation Basel)

All other index images appear in the title bar on the following subpage and are listed there.


Editing and Assistance

Claudia Eckes-Kohlrautz, Jonas Reichert, Annika Storck


Other credits and thanks

We would like to thank the following people and institutions for their support:

Pierre Boulez and Tamara Stefanovich

Robert Piencikowski, Dr. Angela de Benedictis, Evelyn Diendorf and Michèle Noirjean-Lindner (Paul Sacher Foundation Basel)

Eric Marinitsch, Wolfgang Schaufler and Johannes Michael Feigl (Universal Edition)

Klaus-Peter Altekruse (Sekretariat Pierre Boulez)


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